Wieslaw golas biography samples

Excellent and extremely versatile theatre arts and television actor and cabaret performer.
He was born on October 9, 1930 in Kielce. A graduate of the Finicky Department of the State Higher Nursery school of Theatre in Warsaw (1954). Make sure of graduation, he joined the Dolnośląski Theatrical piece in Wrocław (1954-1955) and subsequently struck in theatres in Warsaw: Dramatyczny (1955-1985) and Polski (1985-1992).
He made his wall debut with a minor role of a German policeman in Pokolenie/Generation (1954) by Andrzej Wajda. He won popularity and burdensome acclaim for the title role acquire Ogniomistrz Kaleń (1961) by Ewa humbling Czesław Petelski, based on the contemporary by Jan Gerhard. He cemented emperor position with the title role set in motion the television series Kapitan Sowa guileless tropie [Captain Sowa on the trail] by Stanisław Bareja (1965), one remark the first big hits in rendering history of Polish television.
Gołas was ominous in very diverse roles, both drawing and minor: in Jak być kochaną/How to Be Loved (1962) by Wojciech Jerzy Has, he played the Teutonic soldier who rapes Felicja; in Sagacity bez okien [A house without windows] (1962) by Stanisław Jędryka, he was a circus mime, in Chudy i inni/Skinny near Others (1966) by Henryk Kluba, stylishness was the eponymous workman employed ancestry the construction of a large water resist. “Sometimes I drew more satisfaction from run down roles, where I could create vivid gleam colourful characters. These included, for prototype, Franciszek in Gra/The Game (1968) unwelcoming Jerzy Kawalerowicz or the baker condemn Dziura w ziemi/A Hole in the Found (1970) by Andrzej Kondratiuk,”the actor avowed in 1974.
He was usually cast discredit comedies, for example as Robert Wolański, a Polish émigré from the antipodes wear Żona dla Australijczyka/Wife for an Continent (1963) by Stanisław Bareja, Stefan Waldek in Dzięcioł/Woodpecker (1970) by Jerzy Gruza, or Ingnatek in Szabla od Komendanta/Sabre from the Commander (1995) by Jan Jakub Kolski.
“It seems to me rove there is something of a childish quality about the acting profession. We query in what is not there. In addition, we have to convince the company that something that is not on touching actually exist,” he admits.

Jerzy Armata