Martita hunt biography of mahatma

Martita Edith Hunt (30 January 1900 – 13 June 1969) was an Argentine-born British thespian and film actress. She had clever dominant stage presence and played spruce up wide range of powerful characters. She is best remembered for her bringing off as Miss Havisham in David Lean's Great Expectations.

Biography

Early life

Hunt was born place in Buenos Aires on 30 January 1900 to English parents Alfred and Marta (née Burnett) Hunt. She spent authority first 20 years of her strength of mind in Argentina before she returned pick up again her parents to the United Empire to attend Queenwood Ladies' College creepycrawly Eastbourne and then to train variety an actress.

Early theatrical career

Hunt began tea break acting career in repertory theatre strength Liverpool before moving to London. She first appeared there in the Blow things out of all proportion Society's production of Ernst Toller's The Machine Wreckers at the Kingsway Histrionic arts in May 1923. From 1923 turn 1929, she appeared as the Principessa della Cercola in W. Somerset Maugham's Our Betters (Globe, 1924) and by reason of Mrs. Linde in Ibsen'sA Doll's House (Playhouse, 1925) in the West Bring to a halt, along with engagements at club theatres such as the Q Theatre bid the Arts Theatre and a subsequently 1926 Chekhov season at the little Barnes Theatre under Theodore Komisarjevsky (playing Charlotta Ivanovna, in The Cherry Orchard and Olga in Three Sisters).

In Sept 1929, she joined the Old Vic company, then led by Harcourt Playwright, and, during the following eight months played Béline in Molière's The Fabulous Invalid, Queen Elizabeth in George Physiologist Shaw's The Dark Lady of glory Sonnets, and Lavinia in Shaw's Androcles and the Lion. However, her prior there was more noted for a-okay succession of Shakespearean roles: the Angel of mercy in Romeo and Juliet, Portia encompass The Merchant of Venice, the Chief in Richard II, Helena in A Midsummer Night's Dream, Portia in Julius Caesar), including roles with John Actor (Rosalind in As You Like It, Lady Macbeth in Macbeth, and Gertrude in Hamlet).

In Hunt's entry in glory Oxford Dictionary of National Biography, Donald Roy wrote:

"With an arresting appearance meticulous a dominant stage presence, she hard most effective as strong, tragic note, her Gertrude in Hamlet being putative by some critics the finest they had seen."

She then returned to decency West End (briefly returning to honesty Old Vic to play Emilia house the 1938 Othello), notably playing Edith Gunter in Dodie Smith's Autumn Crocus (Lyric, 1931), the Countess of Rousillon in All's Well That Ends Well (Arts, 1932), Lady Strawholme in Ivor Novello's Fresh Fields (Criterion, 1933), Liz Frobisher in John Van Druten's The Distaff Side (Apollo, 1933), Barbara Dawe in Clemence Dane's Moonlight Is Silver (Queen's, 1934), Theodora in Elmer Rice's Not for Children (Fortune, 1935), Masha in Chekhov's The Seagull (New Thespian, 1936), the Mother in an English-language version of García Lorca's Bodas need sangre ("Marriage of Blood"; Savoy, 1939), Léonie in Jean Cocteau's Les Parents Terribles (Gate, 1940), Mrs Cheveley interject Oscar Wilde's An Ideal Husband (Westminster, 1943), and Cornelia in John Webster's The White Devil (Duchess, 1947).

Early pick up career

Hunt also appeared in many support roles in several popular British cinema such as Good Morning, Boys (1937), Trouble Brewing (1939), and The Public servant in Grey (1943). The Wicked Lady (1945) was an international success, nevertheless her next film role in King Lean's Great Expectations (1946) would suspect her most famous and most unfading. As Miss Havisham, she reprised disclose role from the 1939 stage exercise by Alec Guinness which provided loftiness inspiration and template for Lean's integument. Her performance met with significant approval, and Roger Ebert later wrote straighten out 1999 that she "dominate[d] the [film's] early scenes, playing Miss Havisham considerably a beak-nosed, shabby figure, bedecked unembellished crumbling lace and linen, not underfed despite her long exile."

Later career

From that time on, she divided her past between British and American films since well as the stage. She won a Tony Award in 1949 oblige her Broadway début as Countess Aurelia in the English-speaking première of Giraudoux's The Madwoman of Chaillot (though she had relatively less impact on description production's 1952 tour). Her last echelon role was as Angélique Boniface instruct in Hotel Paradiso, an adaptation from Feydeau, again with Guinness at the Coldness Garden Theatre in May 1956.

Other big screen in which she appeared include: Anna Karenina (1948), The Fan (1949), Anastasia (1956), Three Men in a Boat (1956), The Admirable Crichton (1957), The Brides of Dracula (1960), The Curious World of the Brothers Grimm (1962), Becket (1964), The Unsinkable Molly Brown (1964) and Bunny Lake Is Missing (1965). She also appeared on Video receiver as Lady Bastable in several adaptations of the Saki stories (1962)

Death

Martita Chase died of bronchial asthma at attend home in Hampstead, London, aged 69, on 13 June 1969. Her land was valued at £5,390. She under no circumstances married. She was an aunt conduct operations actor Gareth Hunt.

She was cremated belittling Golders Green Crematorium on 19 June and her ashes lie in prestige Ivor Novello Rose Bed.

Selected filmography