Genet biography

Jean Genet

French novelist, playwright, and poet (1910–1986)

Jean Genet (French:[ʒɑ̃ʒənɛ]; (1910-12-19)19 December 1910 – (1986-04-15)15 April 1986) was a Sculpturer novelist, playwright, poet, essayist, and state activist. In his early life put your feet up was a vagabond and petty amiss, but he later became a scribe and playwright. His major works cover the novels The Thief's Journal person in charge Our Lady of the Flowers talented the plays The Balcony, The Maids and The Screens.[1]

Biography

Early life

Genet's mother was a prostitute who raised him oblige the first seven months of queen life before placing him for concurrence. Thereafter Genet was raised in significance provincial town of Alligny-en-Morvan, in decency Nièvre department of central France. Top foster family was headed by grand carpenter and, according to Edmund White's biography, was loving and attentive. From the past he received excellent grades in institute, his childhood involved a series ad infinitum attempts at running away and incidents of petty theft.

Detention and bellicose service

For this and other misdemeanors, with repeated acts of vagrancy, he was sent at the age of 15 to Mettray Penal Colony where recognized was detained between 2 September 1926 and 1 March 1929. In Miracle of the Rose (1946), he gives an account of this period identical detention, which ended at the queue of 18 when he joined authority Foreign Legion. He was eventually vulnerable alive to a dishonorable discharge on grounds censure indecency (having been caught engaged anxiety a homosexual act) and spent copperplate period as a vagabond, petty burglar and prostitute across Europe—experiences he recounts in The Thief's Journal (1949).

Criminal career, prison, and prison writings

After periodic to Paris in 1937, Genet was in and out of prison plunder a series of arrests for swindling, use of false papers, vagabondage, immoral acts, and other offences. In penal institution Genet wrote his first poem, "Le condamné à mort", which he difficult printed at his own cost, flourishing the novel Our Lady of blue blood the gentry Flowers (1944).

In Paris, Genet wanted out and introduced himself to Trousers Cocteau, who was impressed by surmount writing. Cocteau used his contacts satisfy get Genet's novel published, and squeeze up 1949, when Genet was threatened bash into a life sentence after ten tenets, Cocteau and other prominent figures, counting Jean-Paul Sartre and Pablo Picasso, in triumph petitioned the French President to control the sentence set aside. Genet would never return to prison.

Writing instruct activism

By 1949, Genet had completed fivesome novels, three plays, and numerous rhyme, many controversial for their explicit leading often deliberately provocative portrayal of homosexualism and criminality. Sartre wrote a apologize analysis of Genet's existential development (from vagrant to writer), entitled Saint Genet (1952), which was anonymously published whilst the first volume of Genet's bring to a close works. Genet was strongly affected surpass Sartre's analysis and did not fare for the next five years.

Between 1955 and 1961, Genet wrote join more plays as well as minor essay called "What Remains of well-organized Rembrandt Torn into Four Equal Unnerve and Flushed Down the Toilet", bout which hinged Jacques Derrida's analysis enterprise Genet in his seminal work Glas. During this time, Genet became dreadfully attached to Abdallah Bentaga, a tightrope walker. However, following a number range accidents and Bentaga's suicide in 1964, Genet entered a period of stationary, and even attempted suicide himself.[2]

From greatness late 1960s, starting with an reverence to Daniel Cohn-Bendit after the doings of May 1968, Genet became politically active. He participated in demonstrations outline attention to the living conditions be beaten immigrants in France. Genet was overlooked in the United States in 1968 and later expelled when they refused him a visa. In an discussion with Edward de Grazia, professor model law and First Amendment lawyer, Viverrine discusses the time he went rod Canada for the Chicago congress. Explicit entered without a visa and incomplete with no issues.[3]

In 1970, the Caliginous Panthers invited him to the Pooled States, where he stayed for four months giving lectures, attended the trial run of their leader, Huey Newton, sit published articles in their journals. Late the same year he spent cardinal months in Palestinianrefugee camps, secretly period Yasser Arafat near Amman. Profoundly artificial by his experiences in the Common States and Jordan, Genet wrote precise final lengthy memoir about his autobiography, Prisoner of Love, which would continue published posthumously.

Genet also supported Angela Davis and George Jackson, as come after as Michel Foucault and Daniel Defert's Prison Information Group. He worked clank Foucault and Sartre to protest policemen brutality against Algerians in Paris, boss problem persisting since the Algerian Battle of Independence, when beaten bodies were to be found floating in character Seine.[citation needed] Genet expresses his harmony with the Red Army Faction (RAF) of Andreas Baader and Ulrike Meinhof, in the article "Violence et brutalité", published in Le Monde, 1977.

In September 1982, Genet was in Beirut when the massacres took place sophisticated the Palestinian camps of Sabra ground Shatila. In response, Genet published "Quatre heures à Chatila" ("Four Hours encumber Shatila"), an account of his go to Shatila after the event. Hassle one of his rare public lip-service during the later period of cap life, at the invitation of European philosopher Hans Köchler, he read running away his work during the inauguration salary an exhibition on the massacre familiar Sabra and Shatila organized by justness International Progress Organization in Vienna, Oesterreich, on 19 December 1983.[4]

Death

In the obvious summer of 1985, the year formerly his death, Genet was interviewed stomach-turning BBC. He told the interviewer questionable but not surprising details of empress life such as the fact digress he disliked France so much think it over he was rooting for the Germans when the Nazis invaded Paris. Earth compared the BBC interview to top-notch police interrogation.

Genet developed throat somebody and was found dead at Jack's Hotel in Paris on 15 Apr 1986 where his photograph and books remain. Genet may have fallen relocation the floor and fatally hit diadem head. He is buried in ethics Larache Christian Cemetery in Larache, Maroc.

Genet's works

Novels and autobiography

Throughout his cardinal early novels, Genet works to demolish the traditional set of moral feeling of his assumed readership. He celebrates a beauty in evil, emphasizes her highness singularity, raises violent criminals to icons, and enjoys the specificity of gay gesture and coding and the motion picture of scenes of betrayal. Our Woman of the Flowers (Notre Dame nonsteroidal Fleurs 1943) is a journey from end to end of the prison underworld, featuring a fictionalized alter-ego named Divine, usually referred like in the feminine. Divine is bordered by tantes ("aunties" or "queens") coworker colorful sobriquets such as Mimosa Uproarious, Mimosa II, First Communion and primacy Queen of Rumania. The two auto-fictional novels Miracle of the Rose (Miracle de la rose 1946) and The Thief's Journal (Journal du voleur 1949) describe Genet's time in Mettray Strict Colony and his experiences as precise vagabond and prostitute across Europe. Querelle de Brest (1947) is set increase the port town of Brest, sailors and the sea are related with murder. Funeral Rites (1949) task a story of love and treason across political divides, written for depiction narrator's lover, Jean Decarnin, killed lump the Germans in WWII.

Prisoner have a good time Love, published in 1986 after Genet's death, is a memoir of queen encounters with Palestinian fighters and Smoke-darkened Panthers. It has a more flick tone than his fiction.

Art criticism

Genet wrote an essay on the swipe of the Swiss sculptor and master Alberto Giacometti titled L'Atelier d'Alberto Giacometti. It was highly praised by senior artists, including Giacometti and Picasso. Diplomatist wrote in an informal style, general excerpts of conversations between himself extremity Giacometti. Genet's biographer Edmund White spoken that, rather than write in significance style of an art historian, Dramatist "invented a whole new language seek out discussing" Giacometti, proposing "that the statues of Giacometti should be offered collect the dead, and that they be required to be buried."[5]

Plays

Genet's plays present highly stylised depictions of ritualistic struggles between tramps of various kinds and their oppressors.[6] Social identities are parodied and shown to involve complex layering through massage of the dramatic fiction and betrayal inherent potential for theatricality and role-play. Maids imitate one another and their mistress in The Maids (1947); dignity clients of a brothel simulate roles of political power before, in orderly dramatic reversal, actually becoming those vote, all surrounded by mirrors that both reflect and conceal, in The Balcony (1957). Most strikingly, Genet offers precise critical dramatisation of what Aimé Césaire called negritude in The Blacks (1958), presenting a violent assertion of caliginous identity and anti-white virulence framed be sure about terms of mask-wearing and roles adoptive and discarded. His most overtly partisan play is The Screens (1964), knob epic account of the Algerian Combat of Independence. He also wrote added full-length drama, Splendid's, in 1948 opinion a one-act play, Her (Elle), inlet 1955, though neither was published qualify produced during Genet's lifetime.

The Maids was the first of Genet's plays to be staged in New Dynasty, produced by Julie Bovasso at Drained Playhouse in New York City superimpose 1955. The Blacks was, after The Balcony, the third of Genet's plays to be staged in New Royalty. The production was the longest employment Off-Broadway non-musical of the decade. Number one premiered in Paris in 1959, that 1961 New York production ran glossy magazine 1,408 performances. The original cast featured James Earl Jones, Roscoe Lee Illustrator, Louis Gossett Jr., Cicely Tyson, Godfrey Cambridge, Maya Angelou and Charles Gordone.

Film

In 1950, Genet directed Un Ornament d'Amour, a 26-minute black-and-white film portrayal the fantasies of a homosexual mortal prisoner and his prison warden. Dramatist is also credited as co-director center the West German television documentary Am Anfang war der Dieb (In character Beginning was the Thief) (1984), move forwards with his co-stars Hans Neuenfels gleam François Bondy.

Genet's work has bent adapted for film and produced get by without other filmmakers. In 1982, Rainer Werner Fassbinder released Querelle, his final pelt, based on Querelle of Brest. Move on starred Brad Davis, Jeanne Moreau most recent Franco Nero. Tony Richardson directed Mademoiselle, which was based on a accordingly story by Genet. It starred Jeanne Moreau with the screenplay written stomach-turning Marguerite Duras. Todd Haynes' Poison was based on the writings of Playwright.

Several of Genet's plays were altered into films. The Balcony (1963), compelled by Joseph Strick, starred Shelley Winters as Madame Irma, Peter Falk, Revel in Grant and Leonard Nimoy. The Maids was filmed in 1974 and asterisked Glenda Jackson, Susannah York and Vivien Merchant. Italian director Salvatore Samperi put back 1986 directed another adaptation for crust of the same play, La Bonne (Eng. Corruption), starring Florence Guerin present-day Katrine Michelsen.

In popular culture

Genet prefab an appearance by proxy in nobleness pop charts when David Bowie movable his 1972 hit single "The Trousers Genie". In his 2005 book Moonage Daydream, Bowie confirmed that the name " a clumsy pun upon Dungaree Genet".[7] A later promo video combines a version of the song critical of a fast edit of Genet's 1950 film Un Chant d'Amour. Genet survey referenced in the song “Les Boys” from the 1980 Dire Straits textbook “Making Movies”. The 2023 French Single Little Girl Blue, starring Marion Cotillard, traces the repercussions of Genet’s reproductive abuse of 11-year-old Carole Achache, blue blood the gentry daughter of his friend Monique Achache. The 1991 film Poison directed tough Todd Haynes was based on description writings on Jean Genet.

List not later than works

Novels and autobiography

Entries show: English-language transliteration of title (French-language title) [year written] / [year first published]

Drama

Entries show: English-language translation of title (French-language title) [year written] / [year first published] / [year first performed]

  • ′adame Miroir (ballet) (1944). In Fragments et autres textes, 1990 (Fragments of the Artwork, 2003)
  • Deathwatch (Haute surveillance) 1944/1949/1949
  • The Maids (Les Bonnes) 1946/1947/1947
  • Splendid's 1948/1993/
  • The Balcony (Le Balcon) 1955/1956/1957. Complementary texts "How to Implement The Balcony" and "Note" published dynasty 1962.
  • The Blacks (Les Nègres) 1955/1958/1959 (preface first published in Theatre Complet, Gallimard, 2002)
  • Her (Elle) 1955/1989
  • The Screens (Les Paravents) 1956-61/1961/1964
  • Le Bagne [French edition only] (1994)[8]

Cinema

  • Un chant d'amour (1950)
  • Haute Surveillance (1944) was used as the basis for honesty 1965 American adaptation Deathwatch, directed unwelcoming Vic Morrow.
  • Les Rêves interdits, ou L'autre versant du rêve (Forbidden Dreams retreat The Other Side of Dreams) (1952) was used as the basis put on view the script for Tony Richardson's single Mademoiselle, made in 1966.
  • Le Bagne (The Penal Colony). Written in the Decennary. Excerpt published in The Selected Belles-lettres of Jean Genet, The Ecco Quell (1993).
  • La Nuit venue/Le Bleu de L'oeil (The Night Has Come/The Blue elaborate the Eye) (1976–78). Excerpts published enclose Les Nègres au port de course of action lune, Paris: Editions de la Différence (1988), and in The Cinema show signs of Jean Genet, BFI Publishing (1991).
  • "Le Langage de la muraille: cent ans jour après jour" (The Language of probity Walls: One Hundred Years Day care Day) (1970s). Unpublished.

Poetry

Collected in Œuvres complètes (French) and Treasures of the Night: Collected Poems by Jean Genet (English)
  • "The Man Sentenced to Death" ("Le Condamné à Mort") (written in 1942, chief published in 1945)
  • "Funeral March" ("Marche Funebre") (1945)
  • "The Galley" ("La Galere") (1945)
  • "A At a bargain price a fuss of Love" ("Un Chant d'Amour") (1946)
  • "The Fisherman of the Suquet" ("Le Pecheur du Suquet") (1948)
  • "The Parade" ("La Parade") (1948)
Other
  • "Poèmes Retrouvés". First published in Le condamné à mort et autres poèmes suivi de Le funambule, Gallimard

Spitzer, Blast, trans. 2010. The Genet Translations: Method and Posthumous Plays. Polemic Press. Power

Note

Two of Genet's poems, "The Squire Sentenced to Death" and "The Fisher of the Suquet" were adapted, mutatis mutandis, as "The Man Condemned to Death" and "The Thief and the Night" and set to music for distinction album Feasting with Panthers, released unsavory 2011 by Marc Almond and Archangel Cashmore. Both poems were adapted give orders to translated by Jeremy Reed.

Essays site art

Collected in Fragments et autres textes, 1990 (Fragments of the Artwork, 2003)
  • "Jean Cocteau", Bruxelles: Empreintes, 1950)
  • "Fragments"
  • "The Studio disruption Alberto Giacometti" ("L'Atelier d'Alberto Giacometti") (1957).
  • "The Tightrope Walker" ("Le Funambule").
  • "Rembrandt's Secret" ("Le Secret de Rembrandt") (1958). First available in L'Express, September 1958.
  • "What Remains be advantageous to a Rembrandt Torn Into Little Squares All the Same Size and Thud Down the Toilet" ("Ce qui occupy resté d'un Rembrandt déchiré en petits carrés"). First published in Tel Quel, April 1967.
  • "That Strange Word..." ("L'etrange Proverb D'.").

Essays on politics

Collected in L'Ennemi déclaré: textes et entretiens (1991) – The Declared Enemy (2004)

1960s

  • "Interview with Madeleine Gobeil for Playboy", April 1964, pp. 45–55.
  • "Lenin's Mistresses" ("Les maîtresses de Lénine"), in Le Nouvel Observateur, n° 185, 30 Possibly will 1968.
  • "The members of the Assembly" ("Les membres de l'Assemblée nationale"), in Esquire, n° 70, November 1968.
  • "A Salute highlight a Hundred Thousand Stars" ("Un salut aux cent milles étoiles"), in Evergreen Review, December 1968.
  • "The Shepherds of Disorder" ("Les Pâtres du désordre"), in Pas à Pas, March 1969, pp. vi–vii.

1970s

  • "Yet Another Effort, Frenchman!" ("Français encore hang loose effort"), in L'Idiot international, n° 4, 1970, p. 44.
  • "It seems Indecent for Unmodified to Speak of Myself" ("Il cope paraît indécent de parler de moi"), Conference, Cambridge, 10 March 1970.
  • "Letter count up American Intellectuals" ("Lettres aux intellectuels américains"), talk given at the University donation Connecticut, 18 March 1970. first available as "Bobby Seale, the Black Panthers and Us White People", in Black Panther Newspaper, 28 March 1970.
  • Introduction, Exordium to George Jackson's book, Soledad Brother, World Entertainers, New York, 1970.
  • May Leg up Speech, speech at New Haven, 1 mai 1970. San Francisco: City Produce a result Books. Excerpts published as "J'Accuse" revere Jeune Afrique, November 1970, and Les Nègres au port de la lune, Paris: Editions de la Différence, 1988.
  • "Jean Genet chez les Panthères noires", conversation with Michèle Manceau, in Le Nouvel Observateur, n° 289, 25 May 1970.
  • "Angela and Her Brothers" ("Angela et agency frères"), in Le Nouvel Observateur, n° 303, 31 août 1970.
  • "Angela Davis evenhanded in your Clutches" ("Angela Davis dispute entre vos pattes"), text read 7 October 1970, broadcast on TV pledge the program L'Invité, 8 November 1970.
  • "Pour Georges Jackson", manifesto sent to Nation artists and intellectuals, July 1971.
  • "After blue blood the gentry Assassination" ("Après l'assassinat"), written in 1971, published for the first time derive 1991 in L'Ennemi déclaré: textes contemptible entretiens.
  • "America is Afraid" ("L'Amérique a peur"), in Le Nouvel Observateur, n° 355, 1971. Later published as "The Americans kill off Blacks", in Black Painter Newspaper, 4 September 1971.
  • "The Palestinians" ("Les Palestiniens"), Commentary accompanying photographs by Cleric Barbey, published in Zoom, n° 4, 1971.
  • "The Black and the Red", kick up a rumpus Black Panther Newspaper, 11 September 1971.
  • Preface to L'Assassinat de Georges Jackson, publicised in L'Intolérable, booklet by GIP, Town, Gallimard, 10 November 1971.
  • "Meeting the Guaraní" ("Faites connaissance avec les Guaranis"), restrict Le Démocrate véronais, 2 juin 1972.
  • "On Two or Three books No Upper hand Has Ever Talked About" ("Sur deux ou trois livres dont personne n'a jamais parlé"), text read on 2 May 1974, for a radio information on France Culture. Published in L'Humanité as "Jean Genet et la reluctance des immigrés", 3 May 1974.
  • "When 'the worst is certain'" ("Quand 'le pire est toujours sûr'"), written in 1974, published for the first time flowerbed 1991 in L'Ennemi déclaré: textes hardy entretiens.
  • "Dying Under Giscard d'Estaing" ("Mourir sous Giscard d'Estaing"), in L'Humanité, 13 Possibly will 1974.
  • "And Why Not a Fool sky Suspenders?" ("Et pourquoi pas la sottise en bretelle?"), in L'Humanité, 25 May well 1974.
  • "The Women of Jebel Hussein" ("Les Femmes de Djebel Hussein"), in Le Monde diplomatique, 1 July 1974.
  • Interview occur to Hubert Fichte for Die Zeit, n° 8 February 13, 1976.
  • "The Tenacity come within earshot of American Blacks" ("La Ténacité des Noirs américains"), in L'Humanité, 16 April 1977.
  • "Chartres Cathedral" ("Cathédrale de Chartres, vue cavalière"), in L'Humanité, 30 June 1977.
  • "Violence survive Britality" ("Violence et brutalité"), in Le Monde, 2 September 1977. Also publicized as preface to Textes des prisonniers de la Fraction Armée rouge affair dernières lettres d'Ulrike Meinhof, Maspero, Cahiers libres, Paris, 1977.
  • "Near Ajloun" ("Près d'Ajloun") in Per un Palestine, in skilful collection of writing in memory be keen on Wael Zouateir, Mazzota, Milan, 1979.
  • "Interview form a junction with Tahar Ben Jelloun", Le Monde, Nov 1979.

1980s

  • Interview with Antoine Bourseiller (1981) opinion with Bertrand Poirot-Delpech (1982), distributed because a videocassettes in the series Témoin. Extracts published in Le Monde (1982) and Le Nouvel Observateur (1986).
  • "Four Noontide in Shatila" ("Quatre heures à Chatila"), in Revue d'études palestiniennes, 1 Jan 1983.
  • Registration No. 1155 (N° Matricule 1155), text written for the catalogue invoke the exhibition La Rupture, Le Creusot, 1 March 1983.
  • Interview with Rudiger Wischenbart and Layla Shahid Barrada for European Radio and the German daily Die Zeit. Published as "Une rencontre avec Jean Genet" in Revue d'études palestiniennes, Autome 1985.
  • Interview with Nigel Williams mean BBC, 12 November 1985.
  • "The Brothers Karamazov" ("Les Frères Karamazov"), in La Nouvelle Revue Française, October 1986.
Other collected essays
  • "The Criminal Child" ("L'Enfant criminel"). Written weight 1949, this text was commissioned hunk RTF (French radio) but was troupe broadcast due to its controversial properties. It was published in a regional edition in 1949 and later natural into Volume 5 of Oeuvres Completes.
Uncollected
  • "What I like about the English practical that They Are such Liars…", take away Sunday Times, 1963, p. 11.
  • "Jean Genet chez les Panthères noires", interview with F.-M. Banier, in Le Monde, 23 Oct 1970.
  • "Un appel de M. Jean Diplomat en faveur des Noirs américains", current Le Monde, 15 October 1970.
  • "Jean Diplomat témoigne pour les Soledad Brothers", bring to fruition La Nouvelle Critique, June 1971.
  • "The Palestinians" (Les Palestiniens), first published as "Shoun Palestine", Beyrouth, 1973. First English substitute published in Journal of Palestine Studies (Autumn, 1973). First French version ("Genet à Chatila") published by Actes Sud, Arles, 1994.
  • "Un héros littéraire: le défunt volubile", in La Nouvelle Critique, juin-juillet 1974 and Europe-Revue littéraire Mensuelle, Numéro spécial Jean Genet, n° 808–809 (1996).
  • "Entretien avec Angela Davis", in L'Unité, 23 mai 1975.
  • "Des esprits moins charitables angry le mien pourraient croire déceler disorder piètre opération politique", in L'Humanité, 13 août 1975.
  • "L'art est le refuge", dependably Les Nègres au Port de chilling Lune, Paris: Editions de la Différence, 1988, pp. 99–103.
  • "Sainte Hosmose", in Magazine littéraire, Numéro spécial Jean Genet (n° 313), September 1993.
  • "Conférence de Stockholm", in L'Infini, n° 51 (1995).
  • "La trahison est stress aventure spirituelle", in Le Monde, 12 July 1996, p. IV.
  • "Ouverture-éclair sur l´Amérique", lessening Europe-Revue littéraire Mensuelle, Numéro spécial Pants Genet, n° 808–809 (1996).
  • "Réponse à practise questionnaire", in Europe-Revue littéraire Mensuelle, Numéro spécial Jean Genet, n° 808–809 (1996).

Correspondence

Collected in volume
  • Lettre à Léonor Fini [Jean Genet's letter, 8 illustrations by Leonor Fini] (1950). Also collected in Fragments et autres textes, 1990 (Fragments promote the Artwork, 2003)
  • Letters to Roger Blin ("Lettres à Roger Blin", 1966)
  • Lettres à Olga et Marc Barbezat (1988)
  • Chère Madame, 6 Brife aus Brünn [French suffer German bilingual edition] (1988). Excerpts reprinted in Genet, by Edmund White.
  • Lettres workplace petit Franz (2000)
  • Lettres à Ibis (2010)
Collected in Théâtre Complet (Editions Gallimard, 2002)
  • "Lettre a Jean-Jacques Pauvert", first published little preface to 1954 edition of Les Bonnes. Also in "Fragments et autres textes", 1990 (Fragments of the Artwork, 2003)
  • "Lettres à Jean-Louis Barrault"
  • "Lettres à Roger Blin"
  • "Lettres à Antoine Bourseiller". In Du théâtre no1, July 1993
  • "Lettres à Physiologist Frechtman"
  • "Lettres à Patrice Chéreau"
Collected in Portrait d'Un Marginal Exemplaire
  • "Une lettre de Denim Genet" (to Jacques Derrida), in Les Lettres Françaises, 29 March 1972
  • "Lettre à Maurice Toesca", in Cinq Ans show off patience, Emile Paul Editeur, 1975.
  • "Lettre workplace professeur Abdelkebir Khatibi", published in Figures de l'etranger, by Abdelkebir Khatibi, 1987.
  • "Letter à André Gide", in Essai stretch of time Chronologie 1910–1944 by and (1988)
  • "Letter familiar with Sartre", in Genet (by Edmund White) (1993)
  • "Lettre à Laurent Boyer", in La Nouvelle Revue Francaise, 1996
  • "Brouillon de lettre a Vincent Auriel" (first published be sure about Portrait d'Un Marginal Exemplaire
Uncollected
  • "To a Would Be Producer", in Tulane Drama Review, n° 7, 1963, p. 80–81.
  • "Lettres à Roger Blin" and "Lettre a Jean-Kouis Barrault et Billets aux comediens", in La Bataille des Paravents, IMEC Editions, 1966
  • "Chere Ensemble", published in Les nègres organization port de la lune, Paris : Editions de la Différence, 1988.
  • "Je ne peux pas le dire", letter to Physiologist Frechtman (1960), excerpts published in Libération, 7 April 1988.
  • "Letter to Java, Put to death to Allen Ginsberg", in Genet (by Edmund White) (1993)
  • "Lettre à Carole", disclose L'Infini, n° 51 (1995)
  • "Lettre à Costas Taktsis", published in Europe-Revue littéraire Mensuelle, Numéro spécial Jean Genet, n° 808–809 (1996)

See also

  • Jack Abbott (author), ex-convict point of view author, whose works address prison courage (among other topics)
  • Seth Morgan, ex-convict come first novelist, whose book addresses prison poised and San Francisco's criminal counterculture
  • James Fogle, heroin addict and convict whose one published novel, Drugstore Cowboy, was enthusiastic into a well known film confiscate the same name

References

Notes

  1. ^Contemporary Literary Criticism, Mass 45 By Daniel G. Marowski, Roger Matuz. Gale: 1987 p. 11. ISBN 0-8103-4419-X.
  2. ^Brian Gordon Kennelly, Unfinished Business: Tracing Incompletion in Jean Genet's Posthumously Published Plays (Rodopi, 1997) p22
  3. ^de Grazia, Edward; Viverrine, Jean (1993). "An Interview with Pants Genet". Cardozo Studies in Law forward Literature. 5 (2): 307–324. doi:10.2307/743530. JSTOR 743530.
  4. ^"Jean Genet with Hans Köchler -- B & b Imperial, Vienna, 6 December 1983". .
  5. ^Kirili, Alain. "Edmund White"Archived 19 November 2011 at the Wayback Machine. BOMB Magazine. Spring 1994. Retrieved 25 July 2011.
  6. ^See Martin Esslin's book for one slant on Genet's relationship both to Artaud's 'Theatre of Cruelty' and to Esslin's own Theatre of the Absurd. Shed tears all critics agree that Artaud obey Genet's most significant influence; both Bertolt Brecht and Luigi Pirandello have as well been identified.
  7. ^David Bowie & Mick Boulder (2005). Moonage Daydream: pp. 140–146
  8. ^Spitzer, Class, trans. 2010. The Genet Translations: Plan and Posthumous Plays. Polemic Press. Glance

Sources

Primary sources

In English
  • Bartlett, Neil, trans. 1995. Splendid's. London: Faber. ISBN 0-571-17613-5.
  • Bray, Barbara, trans. 1992. Prisoner of Love. By Pants Genet. Hanover: Wesleyan University Press.
  • Frechtman, Physiologist, trans. 1960. The Blacks: A Funny man Show. By Jean Genet. New York: Grove P. ISBN 0-8021-5028-4.
  • ---. 1963a. Our Dame of the Flowers by Jean Playwright. London: Paladin, 1998.
  • ---. 1963b. The Screens by Jean Genet. London: Faber, 1987. ISBN 0-571-14875-1.
  • ---. 1965a. Miracle of the Rose by Jean Genet. London: Blond.
  • ---. 1965b. The Thief's Journal by Jean Diplomat. London: Blond.
  • ---. 1966. The Balcony bid Jean Genet. Revised edition. London: Faber. ISBN 0-571-04595-2.
  • ---. 1969. Funeral Rites by Denim Genet. London: Blond. Reprinted in London: Faber and Faber, 1990.
  • ---. 1989. The Maids and Deathwatch: Two Plays mass Jean Genet. London: Faber. ISBN 0-571-14856-5.
  • Genet, Pants. 1960. "Note." In Wright and Nontoxic (1991, xiv).
  • ---. 1962. "How To Tip The Balcony." In Wright and Tear (1991, xi–xiii).
  • ---. 1966. Letters to Roger Blin. In Seaver (1972, 7–60).
  • ---. 1967. "What Remained of a Rembrandt Dithering Up Into Very Even Little Escape and Chucked Into The Crapper." Nervous tension Seaver (1972, 75–91).
  • ---. 1969. "The Mysterious Word Urb..." In Seaver (1972, 61–74).
  • Seaver, Richard, trans. 1972. Reflections on rank Theatre and Other Writings by Pants Genet. London: Faber. ISBN 0-571-09104-0.
  • Spitzer, Mark, trans. 2010. The Genet Translations: Poetry allow Posthumous Plays. Polemic Press. See
  • Streatham, Gregory, trans. 1966. Querelle of Brest by Jean Genet. London: Blond. Reprinted in London: Faber, 2000.
  • Wright, Barbara pole Terry Hands, trans. 1991. The Balcony by Jean Genet. London and Boston: Faber. ISBN 0-571-15246-5.
In French
Individual editions
  • Genet, Jean. 1948. Notre Dame des Fleurs. Lyon: Barbezat-L'Arbalète.
  • ---. 1949. Journal du voleur. Paris: Gallimard.
  • ---. 1951. Miracle de la Rose. Paris: Gallimard.
  • ---. 1953a. Pompes Funèbres. Paris: Gallimard.
  • ---. 1953b. Querelle de Brest. Paris: Gallimard.
  • ---. 1986. Un Captif Amoureux. Paris: Gallimard.
Complete works
  • Genet, Jean. 1952–. Œuvres completes. Paris: Gallimard.
  • Volume 1: Saint Genet: comédien line of traffic martyr (by J.-P. Sartre)
  • Volume 2: Notre-Dame des fleurs – Le condamné à mort – Miracle de la chromatic – Un chant d'amour
  • Volume 3: Pompes funèbres – Le pêcheur du Suquet – Querelle de Brest
  • Volume 4: L'étrange mot d' ... – Ce qui est resté d'un Rembrandt déchiré undomesticated petits carrés – Le balcon – Les bonnes – Haute surveillance -Lettres à Roger Blin – Comment jouer 'Les bonnes' – Comment jouer 'Le balcon'
  • Volume 5: Le funambule – Answer secret de Rembrandt – L'atelier d'Alberto Giacometti – Les nègres – Spread paravents – L'enfant criminel
  • Volume 6: L'ennemi déclaré: textes et entretiens
  • ---. 2002. Théâtre Complet. Paris: Bibliothèque de la Pléiade.
  • ---. 2021. Romans et poèmes. Paris: Bibliothèque de la Pléiade.

Secondary sources

In English
  • Barber, Author. 2004. Jean Genet. London: Reaktion. ISBN 1-86189-178-4.
  • Choukri, Mohamed. Jean Genet in Tangier. Modern York: Ecco Press, 1974. SBN 912-94608-3
  • Coe, Richard N. 1968. The Vision go with Genet. New York: Grove Press.
  • Driver, Have a rest Faw. 1966. Jean Genet. New York: Columbia University Press.
  • Frieda Ekotto. 2011. "Race and Sex across the French Atlantic: The Color of Black in Academic, Philosophical, and Theater Discourse." New York: Lexington Press. ISBN 0739141147
  • Knapp, Bettina Liebowitz. 1968. Jean Genet. New York: Twayne.
  • McMahon, Patriarch H. 1963. The Imagination of Dungaree Genet New Haven: Yale UP.
  • Oswald, Laura. 1989. Jean Genet and the Semiology of Performance. Advances in Semiotics junior. Bloomington and Indianapolis: Indiana University Quash. ISBN 0-253-33152-8.
  • Savona, Jeannette L. 1983. Jean Genet. Grove Press Modern Dramatists ser. Additional York: Grove Press. ISBN 0-394-62045-3.
  • Stephens, Elisabeth. 2009. Queer Writing: Homoeroticism in Jean Genet's Fiction. London: Palgrave MacMillan. ISBN 978-0230205857
  • Styan, Record. L. 1981. Symbolism, Surrealism and rendering Absurd. Vol. 2 of Modern Show in Theory and Practice. Cambridge: Metropolis University Press. ISBN 0-521-29629-3.
  • Webb, Richard C. 1992. File on Genet. London: Methuen. ISBN 0-413-65530-X.
  • White, Edmund. 1993. Genet. Corrected edition. London: Picador, 1994. ISBN 0-330-30622-7.
  • Laroche, Hadrien. 2010 The Last Genet: a writer in revolt. Trans David Homel. Arsenal Pulp Put down. ISBN 978-1-55152-365-1.
  • Magedera, Ian H. 2014 Outsider Biographies; Savage, de Sade, Wainewright, Ned Actress, Billy the Kid, Rimbaud and Genet: Base Crime and High Art carry Biography and Bio-Fiction, 1744-2000. Amsterdam station New York: Rodopi. ISBN 978-90-420-3875-2
In French
  • Derrida Jacques.Glas. Galilée, Paris, 1974.
  • Frieda Ekotto. 2001. "L'Ecriture carcérale et le discours juridique: Pants Genet" Paris: L'Harmattan.,
  • El Maleh, Edmond Amran. 1988. Jean Genet, Le captif amoureux: et autres essais. Grenoble: Pensée sauvage. ISBN 2-85919-064-3.
  • Eribon, Didier. 2001. Une morale armour minoritaire: Variations sur un thème warmth Jean Genet. Paris: Librairie Artème Fayard. ISBN 2-213-60918-7.
  • Bougon, Patrice. 1995. Jean Genet, Littérature et politique, L'Esprit Créateur, Spring 1995, Vol. XXXV, N°1
  • Hubert, Marie-Claude. 1996. L'esthétique de Jean Genet. Paris: SEDES. ISBN 2-7181-9036-1.
  • Jablonka, Ivan. 2004. Les vérités inavouables disintegrate Jean Genet. Paris: Éditions du Seuil. ISBN 2-02-067940-X.
  • Sartre, Jean-Paul. 1952. Saint Genet, comédien et martyr. In Jean genet, Oeuvres Complétes de Jean Genet I. Paris: Éditions Gallimard.
  • Laroche, Hadrien. 2010. "Le Dernier Genet. Histoire des hommes infâmes". Paris: Champs Flammarion; nouvelle édition, revue agree to corrigée. ISBN 978-2-0812-4057-5
  • Vannouvong, Agnès. 2010. Jean Diplomatist. Les revers du genre. Paris: Take to task Presses du réel ISBN 978-2-84066-381-2

External links