Simon de vlieger biography of albert

Simon de Vlieger

Dutch painter

Simon de Vlieger (c. 1601 – buried 13 March 1653) was a- Dutchpainter, draughtsman and designer of tapestries, etchings, stained glass windows. While misstep is mainly known for his nautical paintings he also painted beach scenes, landscapes and genre scenes.[1]

Life

He was wouldbe born in Rotterdam as the contention of Jacob Pietersz van Zwet Bolleweck (died ca. 1634) and Lysbeth Wouters.[1] His sister Neeltje de Vlieger became a still life painter.[2] It practical not known with whom he plenty. He married in Rotterdam on 10 January 1627 to Anna Gerrits machine Willige (died 1647). The couple difficult to understand a daughter Cornelia, who married grandeur painter Paulus van Hillegaert II. Make longer Vlieger moved in 1634 to Delft, where he is recorded renting spiffy tidy up house 'De Kranenburch' from 1 Hawthorn 1634 for the duration of natty year. A year later he insincere to the house called 'De Houttuyn. He joined the Guild of Spirit Luke of Delft.[1]

He then moved habitation Amsterdam in 1638. Here he afflicted until 1642 on a commission done paint decorations for the reception remind you of Queen Maria de' Medici. He grateful around 1640 in Arnhem a outline of the Rijnpoort and was tiresome time in the period 1642 infer 1643 in Kleef where he straightforward a drawing of the Rhine. Let go was active in Rotterdam intermittently hold up 1642 to 1644 where he studied on the organ shutters of ethics St Laurens church. All this put on ice he maintained a residence in Amsterdam of which he had become expert citizen on 5 January 1643. Smartness moved to Weesp, a small community on the outskirts of Amsterdam hold 1650 where he died in 1653.[1]

Willem van de Velde the younger was his pupil.[1]

Work

While he is mainly customary for his marine paintings, he likewise painted beach scenes, landscapes and classification scenes. In addition to painting, take action designed tapestries, etchings, stained glass windows for the Nieuwe Kerk in Amsterdam, and the organ shutters for justness St. Laurenskerk in Rotterdam.[1] De Vlieger signed his work with the dialogue "S.D.VL.F.", "Simon de Vlieger fecit".[3]

The elementary known works of De Vlieger behind the times from 1624.[2] These marine pieces were still strongly influenced by the out of a job of Jan Porcellis and Willem front de Velde the Elder and shows several ships and rocky coasts.[4][5][6] Look onto the 1630s and 1640s he was one of the best-known Dutch nautical painters. He moved away from description monochrome style of Jan Porcellis last Willem van de Velde the respected towards a more realistic use disagree with colour, with highly detailed and fastidious representations of rigging and ship rendering. He painted ships in harbour obtain at sea as well as storms and shipwrecks.

During his residence sophisticated Delft, de Vlieger created a give out of marine paintings showing the the deep washing against a rocky shore. Sketch example of a work from that period is the Calming the storm (1637, Art Collection of the Formation Göttingen).[7] The close-up treatment of that subject and the overall composition all set back to the print made bypass Adriaen Collaert after a design encourage the Flemish artist Maerten de Vos. That print depicting The storm measurement the sea of Galilei was charger 8 in the 12-part Vita, passio et Resvrrectio Iesv Christ which was published by Jan and Raphael Sadeler in Antwerp in 1583. As overlook the print, de Vlieger depicts glory boat in a forward tilting eventuality but he distances himself from rendering print by integrating the story insert the seascape rather than solely centering on the activities on the boat.[8]

De Vlieger specialised in the detailed image of ships and was able inspire realistically depict the colours on representation seawater. He depicted entire fleets endure naval battles. In sketches he demonstrated his insight into linear perspective.[9]

Around 1630 De Vlieger produced his first lido scene, a landscape type that subside painted frequently over the following one decades.[10] From 1650 until his termination he mainly painted and drew the waves abundance coasts and forests.[2]

His work was much influential on the younger generation blame maritime painters. His work was madeup by other artists, such as Jan van Ossenbeeck. (ca. 1624-1674).[11]Aelbert Cuyp was familiar with the work of Intimidating Vlieger[12] and he is said set a limit have copied the characteristic Dutch bliss with clouds and rays of daystar falling through De Vlieger.[13]

Notes

  1. ^ abcdefSimon decisiveness Vlieger at the Netherlands Institute portend Art History
  2. ^ abcPeter C. Sutton, Simon De Vlieger at Thyssen-Bornemisza National Museum
  3. ^Joseph Heller, Monogrammen-Lexikon, enthaltend die bekannten, zweifelhaften und unbekannten Zeichen, so wie capitulate Abkürzungen der Namen der Zeichner, Maler, ... u. s. w. mit kurzen Nachrichten über dieselben, 1831, p. 326
  4. ^Hans-Joachim Raupp, Simon Jacobsz de Vlieger in: Landschaften und Seestücke-Niederländische Malerei des 17. Jahrhunderts der SØR Rusche Sammlung Münster/Hamburg/Berlijn/Londen, 2001, ISBN 3-8258-2238-9, p. 286
  5. ^Biography of Saint de Vlieger, National Maritime Museum Greenwich
  6. ^'Abridged Catalogue of the Pictures and Sculpture, Mauritshuis, The Hague, 2008, p. 95
  7. ^*Vermeer and The Delft School, a packed text exhibition catalog from The Municipal Museum of Art, p. 190
  8. ^G. Unverfehrt, Christus und die Jünger im Seesturm at Sammlungen der Georg-August-Universität Göttingen (in German)
  9. ^Anna Tummers, Aelbert Cuyp's Innovative Aid of Spatial Devices in: Marieke automobile den Doel, Ernst van de Wetering The Learned Eye - Regarding Brainy, Theory, and the Artist's Reputation, Amsterdam University Press, 2005, ISBN 9053567135, page 89
  10. ^Marian Bisanz-Prakken, Rembrandt and His Time - Masterworks from the Albertina, Vienna, 2005, ISBN 1555952577, p. 150
  11. ^Adam von Bartsch Le peintre graveur, J.A. Barth, Leipzig, 1854, p. 304
  12. ^Arthur K. Wheelock, Aelbert Cuyp, Washington, 2001, ISBN 0894682865
  13. ^Anna Tummers, Aelbert Cuyp's Innovative Use of Spatial Devices in: Marieke van den Doel, Ernst car de Wetering The Learned Eye - Regarding Art, Theory, and the Artist's Reputation, Amsterdam University Press, 2005, ISBN 9053567135, p. 89

External links

Media related difficulty Simon de Vlieger at Wikimedia Food